Drawings/ Board 5

The woman

Twins 1

coloured pencils and oil chalk

The picture shows a young woman. She is pregnant. She is expecting twins. In the background there is the yin-yang sign.

Twins 2

coloured pencils and oil chalk

The picture shows a young woman. She is pregnant. She is expecting twins. In the background there is the yin-yang sign.

Twins 3

oil chalk and computer graphics

The picture shows a pair of twins in the fetal position. In the background there is the yin-yang sign.

Mother Earth 1

digital painting

The image depicts Gaia. She is Mother Earth – Greek mythological figure. She is expecting a child. Belly is the Earth itself. An astronaut is floating on the left edge of the picture. Like an umbilical cord, the rope connects him to his spaceship during his spacewalk.

Mother Earth 2

digital painting

The image depicts Gaia. She is Mother Earth – Greek mythological figure. She is expecting a child. Belly is the Earth itself. A fetus is floating on the left edge of the picture. Like an astronaut tethered to his spaceship, he floats in outer space by an umbilical cord.

In the womb

digital painting

A pregnant woman is in the picture. He is holding a luftballon. The balloon surrounds the fetus like a fetal caul.

Levitation

computer graphics (montage)

A pregnant woman is in outer space. An astronaut floats in his body like a tiny embryo.

Scream

oil chalk

A woman is giving birth. She is about to give birth to her child. Only the mother’s forehead, eyes and nose are visible. Her mouth is covered by her big belly.
The child, on the other hand, comes into the world through a large mouth.
A shout is what it is born through.
All things become alive through struggle.
Every great action breaks out of us at the cost of effort.
That’s what the picture is about.

Birth

computer graphics (montage)

A woman is in labor.
A woman is giving birth to her child.
The veins of the placenta are like the root of a bean sprout.
The stem of the bean plant is like an umbilical cord.
The newborn baby takes the shape of a bean.

In her own image

sajat-kepere

computer graphics (montage)

We see the body of a pregnant woman. She lovingly hugs her pregnant belly with her hands.
The pregnant belly shapes a woman’s face. Her traits and genes are already present in her child in the fetal state.

Tom Thumb (Jack Beans)

babszem-jankók

computer graphics (montage)

We see an open bean pod. Beans form wombs, one fetus moves in each bean.
In the folktale, a married couple longing for a child wishes for a child to be born to them, even if the child is as small as a bean. And the wish comes true – they have a child the size of a bean, with superhuman strength and a twisted mind. The parents name the child Jack Beans. Jack Beans solves every obstacle that comes his way with his ingenuity and willingness to take action.

Miracle

csoda

computer graphics (montage)

A woman blows soap bubbles with a bubble blower. But this bubble is not empty, there is a finger-sucking embryo inside.

Chewed bone

coloured pencils, oil chalk and computer graphics

A bloodthirsty dog ​​can be seen in the foreground of the picture. He had already torn apart and devoured his victim. In front of the dog lie the remains of the victim – a head, a bone, two arms and two legs. The remains are covered in blood.
A stylized female figure leaves the scene.
She is the person who can be put together from the remains of the murdered woman.
A head, a big bone that forms its torso, two arms and two legs.
Because even if she was destroyed, she still put herself back together.
Because even if she died, she rebuilt herself.
She’s leaving.
Where is she going? Who knows.? Maybe to the afterlife. Maybe to a new life.
In the background to the left you can see a rigid, constructivist world. In this world you can see a statue, a torso.
What is missing from the body of the statue is what the dog did not eat, what the dog left behind.
In the foreground of the picture to the right there is a flowery meadow – it is a beautiful, peaceful world.

The destroyer

coloured pencils and computer graphics

The picture shows a spider web. A female figure sits in the center of the spider web. Her body is covered by only a few clothes, she wears erotic underwear. She has eight limbs, three pairs of hands and one pair of legs. Her structure resembles a spider. The female figure can also remind us of a revue dancer.
Men were caught in the net. Many of them are broken, bitter, withdrawn.

The destroyer

Pusztito.jpg

coloured pencils and computer graphics

The picture shows a spider web. A female figure sits in the center of the spider web. Her body is covered by only a few clothes, she wears erotic underwear. She has eight limbs, three pairs of hands and one pair of legs. Her structure resembles a spider. The female figure can also remind us of a revue dancer.
Men were caught in the net. Many of them are broken, bitter, withdrawn.

animation

The video shows a spider web. A female figure sits in the center of the spider web. Her body is covered by only a few clothes, she wears erotic underwear. She has eight limbs, three pairs of hands and one pair of legs. Her structure resembles a spider. The female figure can also remind us of a revue dancer.
Men were caught in the net. Many of them are broken, bitter, withdrawn.

Support

coloured pencils and computer graphics

Old women with bent backs lean on sticks. They can only walk with a stick.
In my picture, the old woman leans on another old woman who looks the same as herself. And she leans on an even smaller old woman.
The entire structure is held by a tiny stick.
The smallest one holds the superstructure. The smallest is the basis of the system.
The foundation that we barely notice. 
But we can also interpret the image as the old woman leaning on herself. She can only count on herself.

Support

coloured pencils and computer graphics

Old women with bent backs lean on sticks. They can only walk with a stick.
In my picture, the old woman leans on another old woman who looks the same as herself. And she leans on an even smaller old woman.
The entire structure is held by a tiny stick.
The smallest one holds the superstructure. The smallest is the basis of the system.
The foundation that we barely notice. 
But we can also interpret the image as the old woman leaning on herself. She can only count on herself.

animation

Old women with bent backs lean on sticks. They can only walk with a stick.
In my picture, the old woman leans on another old woman who looks the same as herself. And she leans on an even smaller old woman.
The entire structure is held by a tiny stick.
The smallest one holds the superstructure. The smallest is the basis of the system.
The foundation that we barely notice. 
But we can also interpret the image as the old woman leaning on herself. She can only count on herself.

Puppet - the invisible hand

 pencils and computer graphics

In the picture we can see the hands of a puppeteer and the puppet he is moving.
There is a screen in front of the puppet, and there is a theater curtain on both sides of the picture.
The puppet itself is an adult, feminine woman.
Puppeteers always wear the puppet like a glove.
In the picture, the openings of the gloves are made up of the woman’s internal organs and genitals.
What is the picture about? Several interpretations are possible.
There are some people who think women are moved by their instincts.
I think the picture is about vulnerability and exploitation.

Puppet - X-ray

pencils and computer graphics

In the picture we can see the hands of a puppeteer and the puppet he is moving.
There is a screen in front of the puppet, and there is a theater curtain on both sides of the picture.
The puppet itself is an adult, feminine woman.
Puppeteers always wear the puppet like a glove.
In the picture, the openings of the gloves are made up of the woman’s internal organs and genitals.
What is the picture about? Several interpretations are possible.
There are some people who think women are moved by their instincts.
I think the picture is about vulnerability and exploitation.

animation

In the video we can see the hands of a puppeteer and the puppet he is moving.
There is a screen in front of the puppet, and there is a theater curtain on both sides of the picture.
The puppet itself is an adult, feminine woman.
Puppeteers always wear the puppet like a glove.
In the picture, the openings of the gloves are made up of the woman’s internal organs and genitals.
What is the picture about? Several interpretations are possible.
There are some people who think women are moved by their instincts.
I think the picture is about vulnerability and exploitation.

Beauty and the Beast - the woman and the cuckolded husband with horns

computer graphics

The picture shows a model-shaped woman walking with her partner, a strong-built, ram-headed man in a suit.
The woman is naked, I depicted her womb.
The husband’s head not only resembles a ram’s head, but also reminds us of a woman’s womb.
I leave the interpretation of the image to the viewer.
The title already suggests some association.

Fear - that is, the shadows of the night live within us

computer graphics

A woman walks alone in the total darkness of the night.
Her posture betrays her fear.
In the picture I drew the woman’s pelvic bone.
The pelvic bone also evokes the shape of a bat in the viewer.
People generally fear the bats, as there are many legends associated with the blood-sucking bat.
According to popular belief, a bat gets into a person’s hair in the night and attacks the person.
But that’s not true. Bats do not attack humans, unless they are defending themselves against a human attack.
Many of our fears are unfounded.
That’s what the picture is about.
The bat is a symbol of our baseless fears. The bat lives in us.
Although we are surrounded by bats, just as bats fly around the woman, the bat actually lives inside us.
In other words, in many cases our fears are born with us. Our fears are genetically coded, we carry them from the beginning.

The walled woman - The built-in woman

computer graphics

According to the story of a famous Hungarian ballad, thirteen stonemasons agree to build a castle together, Déva’s Castle. They work hard but do not succeed. What is built in the morning crumbles by evening. What is built in the evening will be destroyed in the morning.
This is how it goes day after day. In the end they get tired of trying in vain.
They decide that the wife of one of them will be the victim.
The wife who visits her husband first will fall victim to the masons’ plot and die.
Because the first woman to arrive will be thrown into the fire by the masons. The ashes of the cremated corpse will be mixed into the lime.
Sacrificial ashes will now be able to hold the walls together.
The castle will be built at the cost of sacrifice.
First Mason Clement’s wife visits her husband.
She brings him food. Because she loves him, she wants to take care of him.
The victim will be Clement’s wife.
In my picture, the castle is not built of bricks, but of puzzle pieces.
One of the puzzle pieces is a stretched female figure. One piece of the puzzle is a female figure. A person can be seen between the puzzle pieces.
What is this story about for me?
About the power of love.
The power of love holds Deva’s castle together.
After all, the wife who loves her husband the most goes to visit first.
It makes me wonder if the twelve masons knew when they made the bloody contract that Clement’s wife would be the one to visit them for the first time?
And did Clement know this?

Squeezed Lemon

computer graphics (montage)

A hand squeezes a lemon. From half a lemon – like an eye – the tart drops of lemon drip out like tears.

Butterfly collector (plan)

lepkegyűjtő

computer graphics (montage)

The man in the suit adjusts his bow tie. The knot of the bow tie is an ashy female body. The bows of the bow tie are formed from butterfly wings. The woman is therefore both human and a wonderful butterfly.